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GINGER NUTS OF HORROR
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THEY THIRST BY ROBERT Mccammon 

28/2/2017
By Tony Jones 
they thirst robert mccammon review
“Robert McCammon’s vampire epic ‘They Thirst’ reappraised, 36 years on"
There was a lot of interest in our recent review of Robert McCammon’s The Border (2015) a fantastic mix of science fiction and post-apocalyptic fiction which is sadly currently out of print, but keep an eye out for the e-book hopefully later in the year. In light of this we are revisiting the author’s vampire classic They Thirst which was published way back in 1981 and has recently been republished in trade paperback by Subterranean Press, along  with a few of his other novels. So 36 years on how does They Thirst  hold up? Picking up novels from your childhood and teen years, can often be a disappointing experience as often they’re best left as memories….

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STARR CREEK BY NATHAN CARSON

25/2/2017
REVIEW BY JOHN BODEN 
HORROR FICTION REVIEW
 
2016 was truly the year of the Coming-Of-Age novella. A sub-genre that is very much my favorite.  When John Skipp mentioned to me that I ought to read Nathan Carson's Starr Creek, that it was a odd twin to my own novella, Jedi Summer With the Magnetic Kid, I took it to heart and struck up a friendship with Carson.  Long story shot, I got his book and tore through it an a few evenings (I mainly read at bed time) and Man, what a fun romp it is.

We open with a small group of friends plotting an excursion into the woods to take acid and explore,  while they make their plans there is a more sinister plan unfolding involving a man named Puppy and revenge against a biker who wasn't very nice to him.  While those two threads threaten to converge in a hostile and horrific manner, we meet two boys with a penchant for porn and the creature they discover in the woods. 

Starr Creek is a veritable smorgasbord of all things glorious about growing up in the 80's: muscle cars, heavy metal cassettes, dirty magazines and junk food and probably for some drugs.  Carson uses these nostalgic linchpins to hold together a wild adventure that involves alien creatures, unbridled violence and a strange commune.  The writing is rich and very clearly from the heart--as the best writing should be. He has an unwavering eye for nostalgia, for the interaction between youth and adults and events, all realistically painted.

While I finished Starr Creek, wishing it were a bit longer, It had the hook baited enough that I will sign up for and read anything Carson puts out.   If you've got that coming-of-age itch,  Starr Creek will scratch it...and probably draw blood.

Starr Creek is available from Lazy Facist Press.
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​"STARR CREEK is a phenomenal weird fiction debut. Laird Barron meets Jack Ketchum in David Lynch's TWIN PEAKS. I loved it!" - Brian Keene, best-selling author of THE COMPLEX and THE RISING

"Carson is a fresh new voice in Lovecraft country, and his prose dazzles." - Wendy Wagner, author of STARSPAWN and SKINWALKERS

Starr Creek is the debut novella by Portland writer and musician Nathan Carson. Set in 1986 rural Oregon, Starr Creek features Heavy Metal teens, Christian biker gangs, and hopped up kids on 3-wheeled ATVs. They all collide when strange occurrences unveil an alien world inhabiting the Oregon woods.

FERAL BY JAMES DEMONACO AND BRIAN EVERSON

21/2/2017
BY TONY JONES 

“The writer and director of ‘The Purge’ franchise turns his hand to fiction.”
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FERAL BY JAMES DEMONACO AND BRIAN EVERSON
Feral sees the writer and director of The Purge films turn his hand to writing fiction, with co-author Brian Evenson, who also writes under the pen-name BK Evenson. DeMonaco has many other Hollywood writing credits including the screenplay remake of Assault on Precinct 13 and “The Negotiator” way back in 1998. At the time of writing Purge 4 is in the pipeline with DeMonaco stepping back from directing duties, and there is even a mooted TV series. Evenson has a more established career in horror and has been nominated for many big genre writing awards.  His distinguished career includes several novels, novellas, many short stories, has worked with Rob Zombie and contributed fiction to well established franchises including Aliens and Halo.  So does this intriguing mix of authors create a great book?

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THE DEVIL'S EVIDENCE BY SIMON KURT UNSWORTH 

20/2/2017
THE DEVIL'S DETECTIVE BY SIMON KURT UNSWORTH FICTION BOOK REVIEW
​We all have our own personal version of hell.  For some Hell is other people, for others, hell is the drudgery of an unfulfilling job.  For writers, hell can be a goldmine of ideas and inspiration, hopefully allowing the author to create a unique and fascinating vision of Nether region.  Sadly in some cases, the author fluffs it am I pointing one giant finger at a certain Scarlet Gospels, thankfully we have writers like Simon Kurt Unsworth, whose vision and detailed world building are capable of creating a version of Hell that isn't torture to experience.  Simon Kurt Unsworth's The Devil's Evidence  is the sequel to his excellent novel The Devil's Detective, which sees him return to the Hell of one Thomas Fool, Hell's very own Miss Marple.  

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THE DOLL MAN BY WILLIAM COUPER

12/2/2017
by Charlotte Bond 
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This story isn’t very long, but it doesn’t need to be. It’s short, punchy and brutal when required. Its impact on me might be explained by the fact I’d just finished a gentle, thoughtful book; this novelette couldn’t be more different.


We start in the basement of an unknown man who is creating the most unique range of dolls, ones which have human hearts placed in them. This book launches us straight in at the deep end, the author cleverly crafting a very creepy introduction to our main character and his “hobby”. The intersperced speech of an unknown speaker – living victim? Ghost? – adds to the tense atmosphere.


The author limits his cast to just a few characters, meaning that even in the short space of 56 pages, I was totally invested in the characters. I thought that Daniel, a father of a past victim, was the most interesting. It is pretty obvious from the beginning who is the serial killer, but Couper writes deftly so that you enjoy the dramatic irony rather than feeling it’s a predictable story.


The pacing is good and doesn’t let up. The twist at the end I saw coming, but that was because the author foreshadowed it carefully and I still enjoyed watching it unfurl.


If there are flaws in this book, then they lie in the details. Having read several books on serial killer methods, I can’t see a successful killer taking his next victim in broad daylight from the school gates by injecting them with an incapacitating drug. Too risky, too exposed; a much better approach for this character would have been that of Ted Bundy, to lure the victim into helping him with something into his van, then going from there. In addition, given the final twist, I felt that Olivia’s relationship with Kim didn’t strike quite the right note. But these are minor flaws in an otherwise brilliant little book.


At only 56 pages, this is the perfect little book for a rainy Sunday afternoon. Go treat yourself!
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Olivia Richmond is a young widow. She hasn't had much success in love since the death of her husband, however she has been finding herself attracted to Lowell Thomson. When he asks her out on a date, she is delighted.

Daniel Farrington's life was destroyed when his daughter disappeared. He thinks Lowell is the one responsible. He suspects Lowell has taken a number of young girls over the years. No one will believe him.

When Daniel discovers Lowell is seeing Olivia and that Olivia has a daughter, he sets out save the girl and her mother.

DEFENDER BY G.X. TODD

9/2/2017
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Read our interview with G.X. Todd here 

The post-apocalyptic novel has always been a firm staple of the genre, and with the way things are going in the world today, it seems as though they may soon be transitioning from fiction to "How To" status.  

However, as a genre, it is a hard one to get right, let alone rise above swathes of Mad Maxes, and  Randal Flagg clones all jostling to get centre stage.  It is  a genre that probably suffers more from the long shadows of its past than any other. Yes the vampire genre has the likes of Dracula and Vampire Lestat, and zombie genre has The Rising and Autumn looking over it, but the post-apocalyptic horror genre always seems to be living in the stark stare of The Stand and Swan Song.  

It is a hard place to be, but when a debut novel makes you sit up and take notice, and shed your preconceptions of the genre, that's when you know you are on to a good thing.  

Defender by G.X Todd is one such book....

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FICTION REVIEW: THE BORDER BY ROBERT MCCAMMON

8/2/2017
REVIEWED BY TONY JONES 
“The annihilation of mankind is but a  heartbeat away”
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It is most definitely odd to be reviewing a novel which even though it was only published by Subterranean Press in 2015, is already incredibly difficult to locate. Unless you are fortunate enough to snag the odd copy on Ebay or have the resources to pay the current Amazon UK price tag ranging from £83 to £476 that is what it costs to read this book.  But why is there such a hefty sum to read Robert McCammon’s rather excellent “The Border”? I did a little digging….  Subterranean Press only produced a single hardback edition, one pressing only, with no prospect of a second. There is, for an unknown reason, no future prospect of a paperback edition. However, if you live in America, you can pick the novel up on ebook. That’s it, folks….

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HORROR FICTION REVIEW: THE INFERNAL PARADE BY CLIVE BARKER 

2/2/2017
By George Daniel Lea 
HORROR FICTION REVIEW: THE INFERNAL PARADE BY CLIVE BARKER

Something of a litmus test, this one: following in the wake of disillusionment cast by the entertaining enough but largely disappointing Scarlet Gospels, Clive Barker's Infernal Parade had the opportunity to re-establish the man's status as a supreme maestro of the absurd, the strange and distressing.
 
Those of you who follow my work on this site and other outlets will know that my history with Barker's work is significant: examples such as Weaveworld, Sacrament and Imajica are the reasons why I started writing myself and served to inform my fledgling imagination (and more besides; without the expanded contexts they provided, my perspectives; the function of my mind, my very personality, would not be as it is now. In a very real sense, I am as much a creation of Barker and those others whose work I have consumed as any of his metaphysical monstrosities or deranged divinities). It's therefore a fairly melancholy business for me when I have to report dissatisfaction with something that bears his name, the emotional response almost that of the faithful finding some contradiction or immorality in a holy scripture.
 
But in this instance, I don't have a great deal of choice; not if I want to maintain any integrity in myself or to my own small coterie of readers:

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