My name is Evan Witmer; I am the sole writer and webmaster for oddfiction.com where I post free short stories. At the end of each year I take down the last ten stories I wrote and self-publish them online; containing the ten stories within a surreal framing device. Pages from the Pizza Crows has a crow deliver me the stories in exchange for pizza slices. Digest: Ten Short Stories by Convicted and Plausible People-Eaters has each short story authored by a different known cannibal. My next collection is How to Burn This Book; which includes a brief reason to burn each of the short stories inside. That’s due out January 8th, 2022. My "work-sona", as they call it, is a Masters of Bioengineering who does tech transfer for the University of Buffalo, but this is simply a means of supporting the laissez faire lifestyle of your typical late millennial. I'm an uncharacteristically optimistic twenty-seven year old who fought his way out of a massive depression three years prior using Prozac and mood stabilizers. I've been using my new outlook on life to focus on what's important to me: spending time with my cat and writing really weird short stories. I'm tall and quirky; I collect beer labels in my free time. I relate more to the works of MC Ride and Tarantino than I do most modern authors. I'm trying to lose forty pounds. WEBSITE LINKS www.Oddfiction.com https://twitter.com/FictionOdd https://www.facebook.com/oddfictionpage Could you tell the readers a little bit about yourself? I’m a tall, soft man living in the mountains of central Pennsylvania. I have a cat named Orga; named after my favorite Godzilla villain. I have two collections of surreal short stories: Pages from the Pizza Crows and Digest: Ten Short Stories by Convicted & Plausible People-Eaters. I also have tons of free content on my website oddfiction.com. I frequently buy beer off the internet and collect the labels in scrapbooks. I’ve eaten lion meat before and I’m a Gemini. Which one of your characters would you least like to meet in real life? Out of my new collection, Oleg Popov Jr would be the worst to run into. He’s the bastard son of a famous Russian circus performer; horribly abused by his mother, he’s become a master in the art of killer clowning. He hunts his victims with a pack of killer chihuahuas, but worst of all he’s a sexist. And I don’t like sexists. Other than the horror genre, what else has been a major influence on your writing? Politics for sure. A lot of my writing in Digest stems from my anger boiling over into aggressive fantasies. I also fed directly off of the nonsensical mythology created by Qanon believers for my story “The Life & Times of a Rockefeller Pregnancy Zombie”. I also was inspired heavily by music. I wrote a whole southern gothic based on Buffet’s Margaritaville. It’s not that I liked the song, I just wanted to give such an easy breezy jingle a dark hidden meaning. The term horror, especially when applied to fiction always carries such heavy connotations. What’s your feeling on the term “horror” and what do you think we can do to break past these assumptions? I really know what you mean. I’ve actually been pushing my books as surrealist fantasy or dark fantasy because a lot of people won’t try anything labeled horror. I think this stems from a lot of lackluster genre fiction that boils down to drawn out gore descriptions. I think gore is great but it needs to be paired well with drama and clever imagery. Why was a certain character discarded in that specific way? Were they decapitated because “ew, beheadings are gross” or because you’re tying in an allusion to the death of John the Baptist. A lot of good horror movements have arisen as a direct result of the socio/political climate, considering the current state of the world where do you see horror going in the next few years? I don’t think horror is going to lose its political edge just because Biden got elected. I think if anything we’re going to see horror movies where the threat is kept deep below the surface of society and painted over with a bright colorful visage. We still have many social issues that need working out and a lot of people see Biden as “done”, but it’s just a wet bandage on a gaping wound. Given the dark, violent and at times grotesque nature of the horror genre why do you think so many people enjoy reading it? It’s rebellious and it’s novel. There’s a lot of fresh ground still uncovered in the genre because people are so apprehensive to explore darker themes, afraid they’re going to lose an audience. But that novelty is so inspiring when you see a monster that you never could have possibly imagined brought to life. What, if anything, is currently missing from the horror genre? A return to giallos would be nice; make it like Clue but with over the top death scenes. More giant monster movies would be great too. What new and upcoming authors do you think we should take notice off? Monsters in Appalachia: Stories by Sheryl Monks Are there any reviews of your work, positive or negative that have stayed with you? Yeah, Bi Book Boy has a great point about one of my earlier stories “The Red Constellation”. It never describes rape or sexual assault, but it does dance heavily with those themes. It’s a fair criticism that it might be best to not rely on these themes in horror as it exploits a very real trauma people have felt. It’s made me put an end to a couple other projects I had planned. Mainly because there’s so much material to write about why do material that just shows a lack of respect? What aspects of writing to do you find the most difficult? I struggle with tension. I often find myself trying to keep a brisk pace since I’m doing short stories and I want to fully explore my theme. I really need to take some time to slow down on dark moments. Let people wonder if the character is going to survive. Is there one subject you would never write about as an author? Graphic depictions of pedophilia and rape would be pretty fucking tactless. I’d have to have a really good point I’m trying to make to want to break that boundary. Writing, is not a static process, how have you developed as a writer over the years? My biggest leap between Pizza Crows and Digest is the character development. I think Pizza Crows had good concepts but the players were rather 2D. Digest you start to see the focus shift onto the character and exploring how their world view changes from the events. What is the best piece of advice you ever received with regards to your writing? Get an editor. Stop being cheap. Take your work seriously. Which of your characters is your favourite? The bear in “Captured by Animals”. He gains sentience after eating edibles out of a frat house dumpster. Then he spies on people having sex in the woods, so he can use them in his romance novels. That’s honestly the kind of life I’m looking to live. Which of your books best represents you? Pages from the Pizza Crows. I’m just a quirky guy who likes to eat pizza and watch cute birds on Youtube. But I can also tell you some dark shit that’ll make you laugh. Can you tell us about your last book, and can you tell us about what you are working on next? Digest: Ten Short Stories by Convicted and Plausible People-Eaters has each short story authored by a different cannibal. Next up is How to Burn This Book where after each story is a reason to burn said story. If you could erase one horror cliché what would be your choice? Explaining the mythology in a classroom. That info dump is such lazy writing. What was the last great book you read, and what was the last book that disappointed you? Golden Apples of the Sun was dope. I love Ray Bradbury and I love short stories, so it hit a bit of a sweet spot for me. The Mothman Prophecies sucked. I’m open-minded but that was not well-written; it was all over the place; doesn’t tell a compelling story; it’s more just a list of interviews with incoherent strangers. What's the one question you wish you would get asked but never do? And what would be the answer? Who’s the best slasher villain? And the answer is the Djinn from Wishmaster. I've tracked down ten authors who have, at some point, participated in the act of cannibalism. I've collected one short story from each writer and combined them here for your amusement and observation. Isaac Cone presents “Margaritaville”, Jimmy Buffet’s hit song reinterpreted as a southern gothic. Sandeyu Yamamoto writes “Antiquing” about a family with a rare type of OCD where they haunt the object they most obsessed over. John Doe submits “Jesus Christ Meets the Chupacabra” which is exactly what it sounds like. Arsenio Alonso adds “A Vacancy in Staffordshire” about a team of researchers hunting for black-eyed kids in the British wilderness. Greige Wagner contributes “The Life & Times of a Rockefeller Pregnancy Zombie” about a girl who is hypnotized by the New World Order to feel unfathomable pain unless she uses her every egg for procreation. Mago Schlecter's brings us “Ring the Belles”, a mix between historical fiction and a slasher where the villain only kills the teenaged daughters of slave-owners in the Antebellum South. Cassius Crown surrenders "Zooland” about a cursed town where everyone is reduced to their id at night becoming either vicious wolves or delicious deer. Bonny Bride sends “Glee-Maiden”, a story about a woman seeking to make it in the male-dominated field of killer clowning. Matthew Hoga pens “Comorbidity”, the story of two different plagues of zombie with wildly different styles that collide in the ruins of Zhengzhou, China. Joss Iger authors “Six O’s”, the most light-hearted of the bunch, about a man who can only orgasm six more times before he can never do it again. I share these stories in hopes of emphasizing the unique voices oft ignored in favor of traditional masticators. TODAY ON THE GINGER NUTS OF HORROR WEBSITE [BOOK REVIEW] THE TUNNEL BY JOSEPH SALEthe heart and soul of horror interviewsCould you tell the readers a little bit about yourself? I’m a fiction writer based in Manchester in the UK and grew up reading from a young age, which laid the groundwork for wanting to become a writer in as many different avenues as possible. When not writing horror and fantasy fiction, I enjoy indulging my inner pop culture geek with comics and other interests, which include Japanese culture, Stoicism and rum. I’ve mashed all these interests together in a portfolio of websites, which include The Comic Vault, Yamato Magazine and The Rum Ration. Which one of your characters would you least like to meet in real life? Good question. I’m going to say it’d be Agnus Cartwright, a powerful witch from The Tales Of The Frontier series. She’s terrifying and her ruthlessness would make me think twice about crossing her! Other than the horror genre, what else has been a major influence on your writing? The fantasy genre has had a big influence on my writing style and reading habits, particularly authors such as Sebastien De Castell, Andrzej Sapokowski and Neil Gaiman. I’ve always been in awe of writers who have the ability to create a completely new world from nothing and make you believe in the mechanics, concepts and characters within the world. Comics are another major influence, in the sense that having larger than life characters can be grounded in a realistic setting such as the DC Universe and that there are shades of grey when it comes to anti-heroes like Red Hood, Punisher etc. A recent concept that’s also resonated with my writing style is the philosophy of Stoicism and how it can be applied to the practice of writing. It’s about understanding the things you can control e.g. how much you want to write per day, and the things you can’t e.g. how people are going to react to your work. The term horror, especially when applied to fiction always carries such heavy connotations. What’s your feeling on the term “horror” and what do you think we can do to break past these assumptions? For me, the greatest kind of horror is found in human action. The lengths someone will go to for carrying out a goal. The justifications we tell ourselves when we think we’re doing something ‘good’ that can be seen as ‘bad’ from someone else’s perspective. Everyone has the capacity to be a monster and it brings to mind that famous Nietzsche quote of “beware that when fighting monsters, you yourself do not become a monster.” It’s in these kinds of everyday, human drama kind of stories that I think there’s still plenty of room to break past what it seen as traditional horror. A lot of good horror movements have arisen as a direct result of the socio/political climate, considering the current state of the world where do you see horror going in the next few years? I think there will be an increase of horror being seen through the lens of more diverse groups such as the LGBT and BAME communities. There’s limitless potential in redefining tropes within these two categories and showcasing stories that are special, spooky and resonant. Given the dark, violent and at times grotesque nature of the horror genre why do you think so many people enjoy reading it? Coming from my own perspective, I enjoy watching and reading horror stories out of a subconscious desire for facing the unknown. The fear of the unknown is actually my biggest fear and if you think about anything outside of your comfort zone too much it can paralyse you worse than any monster, ghost or serial killer. I think that being exposed to horror has the potential to build up your resilience to real-life scenarios. What new and upcoming authors do you think we should take notice off? A couple of authors come to mind. V Castro has been doing some amazing work with redefining Latin horror through stories like Queen Of The Cicadas and Goddess Of Filth. There’s also Eric LaRocca and Things Have Gotten Worse Since We Last Spoke is a tremendous piece of transgressive horror. While Donald Robertson isn’t a new author, he’s new to the horror and comic genres and I’m looking forward to seeing the release of the graphic novel Verissimus, which tells the life of the Roman emperor Marcus Aurelius. What aspects of writing to do you find the most difficult? The editing process is the most difficult by far. There’s the old writer cliché of having to kill your darlings and it’s true that they do feel like your darlings sometimes! But once you move past that initial feeling, you do come away with a much stronger manuscript. Is there one subject you would never write about as an author? I’ve always said to myself that I’ll never write about any subject that I can’t capture realistically on the page, make it believable or do it justice. It’s only after I’m well-informed enough to know what I’m talking about that I’d even attempt to start writing something. Writing, is not a static process, how have you developed as a writer over the years? By constantly writing. That’s the most effective way I’ve continued to develop. Short stories. Articles. Blogs. Poems. Scripts. Exposing myself to different mediums has forced me to think about writing differently and become more fluid in how I approach things. What is the best piece of advice you ever received with regards to your writing? Don’t worry about whether the first draft is good or bad. Just finish it and then start editing. Which of your characters is your favourite? My favourite character is Clay McNab, the protagonist of At The Dead Of Dusk. He’s an asshole who doesn’t pretend to be anything but what he is and there’s a refreshing amount of honesty when inhabiting the headspace of a character like that. Yet there’s a lot more beneath the surface and it’s so much fun to write an anti-heroic character who’s self-aware enough to see his own flaws and try to do what he thinks to be right from his own perspective. Which of your books best represents you? At The Dead Of Dusk is my first standalone novella, so I’d say that represents me the best (So far!) Do you have a favorite line or passage from your work, and would you like to share it with us? There’s quite a few lines from At The Dead Of Dusk that I loved writing. While I’m not going to give away any spoilers, I will say there’s a scene with Clay delivering a monologue kind of speech in a highly charged emotional situation that got me right in the feels when I was writing it. Can you tell us about your last book, and can you tell us about what you are working on next? The next story I’m working on is a cyberpunk novel set in a futuristic version of my home city of Manchester. It’s about two brothers who come together to try and unlock the riddles of their father’s death and has a mixture of noir, crime, and sci-fi themes. If you could erase one horror cliché what would be your choice? That jump scares are the only way to tell a good horror movie. What was the last great book you read, and what was the last book that disappointed you? The last great book that resonated with me was How To Think Like A Roman Emperor by Donald Robertson. In terms of disappointing books, nothing comes to mind as I think there’s something good to be taken away from whatever you read if you’re in the mindset to look for it. At the Dead of Dusk |
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