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  • FEATURES
  • FICTION REVIEWS
  • FILM REVIEWS
  • INTERVIEWS
  • YOUNG BLOOD
  • MY LIFE IN HORROR
  • FILM GUTTER
  • ARCHIVES
    • SPLASHES OF DARKNESS
    • THE MASTERS OF HORROR
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    • Challenge Kayleigh
    • ALICE IN SUMMERLAND
    • 13 FOR HALLOWEEN
    • FILMS THAT MATTER
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GINGER NUTS OF HORROR
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FILM GUTTER REVIEWS: ​LOVE OBJECT (2003)

31/8/2017
BY ALEX DAVIS 
FILM GUTTER REVIEWS: ​LOVE OBJECT (2003)
Dir. Robert Parigi, USA, 88 mins

I happened to stumble across this DVD (along with a host of other very good horror DVDs) for just 50p at a completely random charity sale. It's a movie I hadn't seen for a while, or even considered for a fair bit, but the minute I saw it I had a recollection of it being something I had really liked. In fact I distinctly recall renting it from Blockbuster (I know some of your out there will remember those) and really enjoying it. But would this one have stood the test of time? An hour and a half later I was relieved to be able to answer yes – Love Object still has plenty about it as a movie and remains high in my estimation. While it's not as flat out visually disturbing or gross as some Film Gutter entries, it plays with some very odd and somewhat shocking ideas in a subtle and clever way.

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FILM GUTTER REVIEWS: BLACK MASS OF THE NAZI SEX WIZARD (2015)

24/8/2017
BY ALEX DAVIS 
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Dir. Lucifer Valentine, Canada, 66 mins
There are times as a reviewer where you are slightly limited by the form itself. Those moments are blessedly rare, but in turning to review the fourth part of Lucifer Valentine's Vomit Gore 'trilogy' there is a certain sense that I can't really, truly convey what it is like to sit through one of these movies. Emotionally, psychologically, sometimes even physically, these movies are a pure and utter assault on the senses. And I don't mean that in any enjoyable, lively, colourful way – everything about these films is unpleasant. Lucifer Valentines has a following in spite of – or perhaps because of – making these films a living nightmare for the viewer. I'd even argue Valentine sees you as his enemy and the whole series - and this film in particular – is an attempt to break you.

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FILM GUTTER REVIEWS: CAT SICK BLUES (2015)

17/8/2017
BY ALEX DAVIS 

FILM GUTTER
Come on in, the water’s cute…

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CAT SICK BLUES (2015)
Dir. Dave Jackson, Australia, 101 mins
Regular readers of this series will know that one of the things I most value in a film is originality. Horror cinema as a whole is a field riddled with archetypes, stereotypes and clichés, and extreme horror can also suffer that to some extent. The attempt to be transgressive and challenging tends to invite more originality, but there are plenty of gory slashers and movies focused on extensive torture and human suffering that equally risk treading a path well trodden. Australia’s Cat Sick Blues is, in a sense, a slasher, but I would argue is genuinely unlike anything you’ve seen before. Gloriously odd, sometimes hilariously funny, other times cuttingly serious and dark, this movie has shot high up the list of my favourite extreme movies. It might even be a top ten already.

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Film Gutter Reviews: The Greasy Strangler (2016)

10/8/2017
By Alex Davis 
​Film Gutter
Come on in, the water's greasy...
the greasy strangler review
The Greasy Strangler (2016)
Dir. Jim Hosking, USA, 93 mins
It's not uncommon that I get requests for reviews here at Film Gutter, but if there is one that has come up time and time again it has to be this one. Many a conversation has strayed to the topic of this movie with a refrain of 'Oh, it'd be perfect for Film Gutter!' It's of course been a movie I was aware of upon its release, especially given some of the names attached as producers – Elijah Wood and Ben Wheatley both supported this one to its 2016 release. It's even brought to us by a British director in Jim Hosking, so there's simply no excuse for putting this one off any further. By popular demand it's time to look at The Greasy Strangler.

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SPECIAL FEATURE -MARTIN TRAFFORD’S HUNG, DRAWN AND SLAUGHTERED

3/8/2017
By Alex Davis 
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In what I hope will become a semi-regular feature here at Film Gutter, we’ll be exploring some of the great extreme horror projects out there looking for crowdfunding and support from the community. There’s a huge array of work in the subgenre that is only made possible by this kind of funding, so if you like what you read then drop by the crowdfunding page! Even if you’re not able to pitch into the project, a share on social media alone can be a huge help to people trying to get their projects off the ground.

Today the focus turns to one of the most exciting artists in the field of extreme horror, Martin Trafford, who has recently launched his Hung, Drawn and Slaughtered book on Indiegogo.

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