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    • FILMS THAT MATTER
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FILM GUTTER REVIEWS: TOP 5 FUNNIEST FILM GUTTER MOVIES

28/1/2021
FILM GUTTER  TOP 5 FUNNIEST FILM GUTTER MOVIES
I have said it before and I’ll say it again – there are an awful lot of very good movies that I get to review in my line of work as an extreme horror reviewer. With that said, a movie can land 8, 9 or even 10 out of 10 without being any fun whatsoever. They can be well-made, and artistic, and impactful, but all too often often they’re more brutal and upsetting than they are fun. But there have been a handful of exceptions to that – and we’re going to explore the five movies that have given me the most laughs in all the years of Film Gutter so far.

TOP 5 FUNNIEST FILM GUTTER MOVIES

5) Sex Galaxy
This one was sold by the director as a ‘green film’ – that is, it’s made from entirely recycled footage dubbed over with a new soundtrack. Very environmentally friendly of him. And the end results is absolutely hilarious, with a background of campy 50s SF overlaid with a story of space explorers desperately seeking out sex after the act has been banned on Earth due to overpopulation. It actually has a surprisingly sweet finale, but other than that is just hilarious in a low-brow way. Half the lines feel improvised, which they may or may not be, but that sense only adds to the hilarity. Don’t expect your intellect to be challenged, but you might well chuckle a number of times to yourself.

4) Postal
Sometimes I feel like Uwe Boll just doesn’t get enough love – sure, he has made some less than stellar movies, but a lot of the back catalogue is average or above in my opinion. Movies like Stoic and Seed hold up well, and honestly I feel like outside of the video game movies Boll has a fair back catalogue. With all that said, Postal was (loosely) based on a controversial video game, and the movie is up there with it in terms of questionable taste. If you’re easily offended I would honestly suggest sitting this one out, but if you love humour that really pushes the boundaries I think you are bound to get something out of Postal.

3) The Human Centipede: Final Sequence
Let’s be honest, the first part of this series offered pretty much zero laughs, and the middle instalment even less than that. Can a movie offer minus laughs? Like actually take away laughs from other things? If so, the second Human Centipede movie was probably the one that did. But the third did something distinctly different again, serving up an absolutely outrageous, overblown black comedy with Dieter Laser inspired as the screaming Bill Boss. Plenty of it was gross, but it was a suitably wry and self-referential conclusion to the infamous trilogy. Lots of fun for those whose sense of humour is the darkest of the dark.

2) Marquis
This one was a revelation upon discovery, and headed up my top 5 movies of this year with its surreal mix of puppetry and ribaldry following the imprisonment of the Marquis De Sade and the cast of jailors, priests and prisoners around him. It’s a surreal experience for sure, and there are any number of laughs that come from its more obscene elements – it might just have my favourite comedy line of all time in it. You’ll probably know within ten minutes if it’s going to be your cup of tea, but this just hit the right part of the funny bone for me.

1) Pervert!
Some of the team from this also worked on Sex Galaxy, which got a very favourable mention above, and it shows in the similar sense of humour the two share. This one is an absolutely in your face, unapologetic homage of Russ Meyer’s movies, following a young man who moves into his father’s house only for his penis to go on a killing spree after a voodoo curse. It sounds bonkers, and it is bonkers, a sort of throwback to a very different time of filmmaking. It’s also an absolute stitch in its own low-brow manner, and goes on the top of the list as the movie that made me laugh the very most in the whole of the Film Gutter experience so far.

That wraps up January’s top 5 month – we’ll be back to our regular programming for February!
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THE TOP 5 WORST FILM GUTTER MOVIES

21/1/2021
FILM GUTTER THE TOP 5 WORST FILM GUTTER MOVIES
‘WHAT?’ I hear you cry. ‘Alex, are you genuinely going to argue there’s a worse horror film than Manos?’ You bet I am,

TOP 5 WORST FILM GUTTER MOVIES
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Top 5 worst movies… should that be bottom 5? Maybe? Anyway, I promised you a month of top 5s, so that’s what I’m going to run with for now. Honestly I’ve never been one to take much pleasure in giving out negative reviews. It takes a hell of a lot of hard work to make a movie, and it’s brave for anyone to put themselves out there and bring their vision to life. But the whole GNOH site – myself included – prides itself in being independent and being honest about what it says. And of course you may look at some of the films below and think these are actually OK, or good, or great – and that’s the very nature of reviewing, which is all a game of opinions. So in that spirit here are the five movies I’ve given the lowest rating over the 5+ years of Film Gutter…
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5) Doctor Bloodbath AKA Butcher Knife
RATING: 1/10

Any cult horror historian could probably tell you much about the works of one Nick Philips, aka Nick Millard, who produced a strong of zero budget movies in the 1980s. Prior to that he’d made plenty of sex films, and also dabbled in the action genre, but he’s best remembered for his horror – honestly I’d like to forget them, but sadly I can’t. I really can’t. Doctor Bloodbath is made cheap and looks cheap, a tawdry tale of a doctor who kills woman after they’ve had abortions with an unfortunately predictable plot. Featuring the same cast as many of Philips’ offerings, sadly the acting is awful here and doesn’t improve elsewhere in his back catalogue.
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4) Criminally Insane 2
RATING 0.5/10

Oh, look, it’s Nick Philips again! I reviewed five or six of his films and I think the highest I ever rated one was 3, and this one goes down as the worst of the bunch. I particularly slammed it for its egregious reuse of footage from the first Criminally Insane movie, as well as random clips from other Philips movies (a common feature in his back repertoire). This is probably about 30 minutes of new footage attached to 30 minutes you’ve seen before, and there are many other issues with this movie, but that endless repetition I simply couldn’t bring myself to forgive.

3) Unrated: The Move
RATING 0/10

Timo Rose and Andreas Schnass are both cult figures in the German horror scene, but I made the mistake of starting with their collaborative effort Unrated: The Movie and haven’t been able to bring myself to check out a movie by either of them since. This is real lowest common denominator stuff, but even at that it’s done badly – I couldn’t claim a movie like Pervert! was high art, but that was genuinely great low-brow fun. The script, the plot, the effects and particularly the sound are all awful – I know the cast, who have some name value, are really trying, but sadly they just have nothing to work with here.

2) Manos: The Hands of Fate
RATING: 0/10

‘WHAT?’ I hear you cry. ‘Alex, are you genuinely going to argue there’s a worse horror film than Manos?’ You bet I am, but let me say a few words about this infamous stinker first. Basically made as a bet by a theatre actor and director who claimed to a friend that making a horror film would be easy, he lost that bet in spectacular fashion. This is a movie with so much folklore about it I’d probably suggest reading about its creation than watching this awfully-made, cliched horror offering. The reason this isn’t top is in part is that the director here didn’t know better – but our next director probably should have…

1) CHAOS
Rating: 0/10

The first movie I reviewed to achieve a zero mark, this one aims for shocking but sadly comes off more as an awful PSA. There’s nothing persuasive in any of the performances, the characters are laughably stereotypical and the whole things just misses the mark of ever feeling real – and therefore just has no impact. Megan is Missing was ultimately making the same point – teenagers, don’t trust strangers! – but that actually had a reasonable plot, some good acting, a character you could care about and an ending that leaves you feeling totally hollowed out. Remove all those things and you might have some idea of what Chaos is all about.

Next week I’ll be looking to lighten the tone with a look at the top 5 funniest Film Gutter Movies!
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FILM GUTTER’S TOP 5 ASIAN MOVIES

14/1/2021
FILM GUTTER’S TOP 5 ASIAN MOVIES
Many parts of Asia – particularly Japan and South Korea – have long been offering up a superb array of horror films, with many having a reputation for being on the nastier side of things. Of course that makes them ideal contenders for the Film Gutter treatment, so for today we’re going to take a look at the five best offerings from Asia we’ve reviewed in the 5+ years of the column! This list is limited to movie the series has looked at, not for all Asian horror/extreme horror movies – just so you know I haven’t forgotten or deliberately omitted the likes of Audition – which I really must review at some point…

GUINEA PIG 3: SHUDDER: THE MAN WHO DOESN’T DIE!
Rated 8.5/10

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I’ve written about the Guinea Pig films at some length, having reviewed all six back to back and taken a look at their legacy over the years. With all that said, I’m not always a huge fan of them, with the notable exception of the bizarre comedic antics of its third entry. A wild switch in tone from the bleak gore and torture of the first two entries, this one is also a stark contrast to the bizarreness of the latter entries too. GP3 follows a put-upon office worker who discovers – as the title suggests – that he can’t die. He decides to use this ability to play a deliberate prank on his unpleasant co-workers by way of revenge. It’s short, it’s totally hammy and overplayed but it certainly is a lot of fun and my favourite of the six.

RED ROOM
Rated 8.5/10

Probably one of the most notorious films to come out of Japan, and an early example of the splatter style that would later go on to be so popular. I get it too – there was an audience, and many of these types of movies could be made on a low budget too. I would argue that this remains one of the best – though I was a fan of the second too, which kept much in common in style and probably had an even more surprising finale. Red Room really wasn’t quite what I expected, being more of a black comedy in places. Bits of it are awful, no doubt, but there’s also a strangely sweet undercurrent to it that I did not see coming. It’s one of those that maybe outdoes its reputation as ‘just’ a gore film and is well worth a look – you can rent it from Unearthed Films’ Vimeo Channel if you want to check it out.

NECROPHILIA
Rated 8.5/10

If I were making a list of most misleading titles – which I’m not – this one would be top, but it comes in third on this particular ranking. This South Korean offering is a really fascinating short film, a sort of dark and brutal romance with some really interesting visuals and strong performances. I can’t say too much about it without giving a lot away, but I would say you’ll probably find this is a pretty pleasant surprise if you can find it to watch!

HUMAN FORM
Rated 9/10

Two South Korean short films in a row? Well, whyever not? I’ve never been averse to a short offering, and this remains one of my favourites by any measure. It’s a startling look at fashion trends and the sense of the ‘other’, all with an absolutely gloriously creepy look and feel to it. Well worth ten minutes of anyone’s time, and you can watch it free via the Alter channel on Youtube if you fancy going and watching it for yourself.
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TETSUO: THE IRON MAN
Rated 9.5/10

Probably one of the most egregious gaps in my extreme/cult horror education up until very recently, I could barely believe my eyeballs when I was watching this one. An absolute audio-visual feast, a black and white nightmare to match the likes of Eraserhead and the second Human Centipede movie but unique in its own right. The effects still look pretty remarkable now even so far on from its release, and this story of humanity and machine combining is definitely worth your time. I’ve added the sequels to the review list for some point this year too…

Next week we’re going to be dredging the bottom of the barrel for the Top 5 worst Film Gutter movies.
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JANUARY IS FILM GUTTER’S TOP 5 MONTH: TOP 5 EXTREME HORROR FILMS WORTH A REMAKE

7/1/2021
JANUARY IS FILM GUTTER’S TOP 5 MONTH: TOP 5 EXTREME HORROR FILMS WORTH A REMAKE
All through January we’re doing to be going countdown crazy here at Film Gutter, serving up a series of top 5 lists to kick off 2021! And with this being the time of year for fresh starts and exciting new endeavours, I though that this one would be a suitable place to kick off…
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TOP 5 EXTREME HORROR FILMS WORTH A REMAKE

I’ll say this before I begin – I’m no big fan of remakes, and all too often they do end up falling well short of the original. The US remake of Martyrs stands out as a particularly egregious example of not quite capturing the spirit and feel of the original. With that said, there have been a handful of Film Gutter watches over the years that have left me thinking ‘you know what, you could still do something really good with this today’. I suppose a common criteria running through is a story that would still say something – or maybe say even more – today compared to when they were originally released. I’m also presenting these in alphabetical order rather than any sort of numerical order, because they were rather hard to pull apart…
2LDK
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A remake of this one would probably be helped by the fact that the original is fairly little known, and this story of two actresses descending into a full on, extended, vicious brawl could still have relevance today. The movie industry is still as cut-throat as ever, and a US version of this could make a meaningful comment about the Hollywood system – just how far are you willing to go to ultimately land that role? Admittedly maybe there was a moment for those sorts of anti-Hollywood movies we’ve now past – think back to Starry Eyes, Eat, Maps to the Stars – but this one could probably be redone without too many negative comparisons to the original, and it would be a pretty cheap movie to make to boot.
BASKET CASE
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I recently reviewed the full trilogy of this one, and it occurred to me that because this was an 80s movie initially it was far easier for Duane and Belial to hide. I think a 2020s remake could see the two becoming hounded by the modern press, and even social media trending with photos and videos of the pair as they try and find some relative security. I’d also add that while the effects of the original are OK for the time, there’s something in the idea of seeing a really sharply-realised Belial with top-notch modern technology that appeals to me too…
COMBAT SHOCK
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This bleak, nihilistic tale of a Vietnam veteran trying desperately to survive after the horrors of war probably goes down as my favourite Troma movie, even though it doesn’t really feel like a Troma film in spirit or style. But the update for this one would be easy to see – our lead could easily be an Iran or Afghanistan veteran, and you could certainly say that the inequalities and the poverty at the bottom of the chain are every bit as stark now as they were when this one originally landed. In fact, of all the five, I think this is the one I’d love to see most. Oh wait, I promised not to rank them…
SOCIETY
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OK, OK, hear me out, right? I think Society is brilliant, and was great for its time as a poke at the 80s upper class culture. But let’s be honest – has that ever really gone away that much? If anything, the 2020s sees an even sharper class divide and an increasingly uneven distribution of wealth. It’s possible that a remake could wind up ducking the issue a bit (a la Martyrs) but I could barely think of a movie I’ve reviewed that remains more topical than Society. In the right hands you could still poke at the views of the vastly wealthy and how they see the world around them – not to mention the many people they would see as being ‘below them’. It almost feels like the perfect climate to have a go, if you were ever going to.
SUICIDE CLUB
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Again, another film that I really liked – so given that fact you might ask why on earth I’d ever pitch for a remake? Well, to many people this film is not all that well known, and when I think back to this I always feel the one bit that was maybe a bit undercooked was the computer/internet element. Well this is 2021 baby, and half the time it feels like we’re living in a science-fiction film because we have so much incredible technology around us. You could tell a story that remained faithful to the original but incorporated the latest developments to give it a fresh feel and style. As long as you do recreate shot for shot that perfect opening sequence, of course…

We’ll be back next week with a look at the Top 5 Asian Movies we’ve reviewed at Film Gutter!
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