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TITAN BOOKS ANNOUNCE ALL THE MURMURING BONES BY A.G. SLATTER:  COVER REVEAL AND EXCERPT

22/9/2020
TITAN BOOKS ANNOUNCE ALL THE MURMURING BONES BY A.G. SLATTER:  COVER REVEAL AND EXCERPT
Today we are honoured to work in conjunction with Titan Books to bring you the cover reveal for All The Murmuring Bones (isn't that a killer title) by A.G. Slatter, which releases on 9th March 2021.

​
A.G. Slatter is a multi-award-winning short story writer. All the Murmuring Bones is a beautifully written tale with a dark twist on the myth of the mermaid
A dark fairy tale for fans of Spinning Silver, The Bear and the Nightingale and Sisters of the Winter Wood.
​
Miren O’Malley was orphaned as a young child and brought up by her grandparents on their isolated, rambling estate, Hob’s Hallow. Long ago her family prospered due to a deal struck with the mer: safety for their merchant ships in return for a child of each generation. But for many years the family have been unable to keep their side of the bargain and their fortunes have suffered as a result. When Miren’s grandfather dies, her grandmother plans to restore their glory – but at the price of Miren’s freedom.
“Slatter's dark fantasies have a bright, burning core of understanding and insight.”
​-
M.R. Carey, author of The Girl with All the Gifts and The Boy on the Bridge 
​

excerpt from All the Murmuring Bones

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​See this house perched not so far from the granite cliffs of Hob’s Head? Not so far from the promontory where once a church was built? It’s very fine, the house. It’s been here a long time (far longer than the church, both before and after), and it’s less a house really than a sort of castle now. Perhaps “fortified mansion” describes it best, an agglomeration of buildings of various vintages: the oldest is a square tower from when the family first made enough money to better their circumstances. Four storeys, an attic and a cellar in the middle of which is a deep, broad well. You might think it to supply the house in times of siege, but the liquid is salty and part way down, below the water level, you can see (if you squint hard by the light of a lantern) the silver crisscross of a grid to keep things out or in. It’s always been off-limits to the children of the house, no matter that its wall is high, far higher than a child could accidentally tip over.

The tower’s stone − sometimes grey, sometimes gold, sometimes white, depending on the time of year, time of day and how much sun is about − is covered by ivy of a strangely bright green, winter and summer. To the left and right are wings added later, suites and bedrooms to accommodate the increasingly large family. The birth date of the stables is anyone’s guess, but they’re a tumbledown affair, their state perhaps a nod to lately decaying fortunes.
Embedded in the walls are swathes of glass both clear and coloured from when the O’Malleys could afford the best of everything. It lets the light in, but cannot keep the cold out, so the hearths throughout are enormous, big enough for a man to stand upright or an ox to roast in. Mostly now, however, the fireplaces remain unlit and the dormitory wings are empty of all but dust and memories; only three suites remain inhabited, and one attic room.
They built close to the cliffs – but not too close for they were wise the first O’Malleys, they knew how voracious the sea could be, how it might eat even the rocks if given a chance, so there are broad lawns of green, a wall of middling height almost at the edge to keep all but the most determined, the most stupid, from toppling over. Stand on the stoop of the tower’s iron-banded door (shaped and engraved to look like ropes and sailors’ knots). Look ahead and you can see straight out to sea; turn to the right but a little and there’s Breakwater in the distance, seemingly so tiny from here. There’s a path, too, winding back and forth on itself, an easy trail down to a pebbled shingle that stretches in a crescent. At the furthest end, there was once a sea cave (the collapse of which no one can recall), a tidal thing you wouldn’t have wanted to be caught in at the wrong time. A place the unwary had gone looking for treasure as rumours abounded that the O’Malleys smuggled, committed piracy, hid their ill-gotten gains there until they could be safely shifted elsewhere and exchanged for gold to line the family’s already overflowing coffers.

They’ve been here a long time, the O’Malleys, and the truth is that no one knows where they were before. Equally no one can remember when they weren’t around, or at least spoken of. No one says “Before the O’Malleys” for good reason; their history is murky, and that’s not a little to do with their very own efforts. Local recounting claims they appeared in the vanguard of some lord or lady’s army, or one of those produced by the battle abbeys in the days of the Church’s more intense militancy, perhaps one marching to or from the cathedral city of Lodellan when its monarchs fought for land and riches. Perhaps they were soldiers or perhaps they trailed along behind like camp-followers and scavengers, gathering what they could while no one noticed, until they had enough to make a reputation.

What is spoken of is that they were unusually tall even in a place where long-legged raiders from across the oceans had liberally scattered their seed. They were dark haired and dark eyed, yet with skin so terribly pale that on occasion it was muttered that the O’Malleys didn’t go about by day, but that wasn’t true.

They took the land by Hob’s Head and built their tower, called it Hob’s Hallow; they prospered quickly. They took more land, and gained tenants to work it for them. There was always silver, too, in their coffers, the purest and brightest though they’d tell no one from whence it came. Next they built ships and began trading, then built more ships and traded more, roamed further. They grew rich from the seas and everyone heard tell of how the O’Malleys did not lose themselves to the water: their galleons and caravels, their barques and brigs did not sink. Their daughters and sons did not drown (or only those meant to) for they swam like seals, learned to do so from their first breath, first step, first stroke. They kept to themselves, seldom taking wives or husbands who weren’t of their extended families. They bred like rabbits, but the core of them remained tightly wound around a limited bloodline; those bearing the O’Malley name proper were prouder than all the rest.
​
They paid nought but a passing care for the opinion of the Church and its princes, which was more than enough to set them apart from other fine families, and made them an object of unease and rumour. Yet they kept their position and their power for they maintained the impression of worship for the sake of appearances. They were neither stupid nor fearful. They cultivated friends in the highest of high places, sowed favours and reaped the rewards of doing so, and they gathered secrets and lies from the lowest of low places. Oh! such a harvest. The O’Malleys knew the locations of all the inconvenient bodies that had been buried − sometimes purely because they’d put those bodies there themselves. They paid their own debts, made sure they collected what was theirs, and ensured all who dealt with them knew that what was owed would be returned to them one way or another.
They were careful and clever.
ALL THE MURMURING BONES is released on 09 march 2021, but you can pre-order a copy today by clicking here 
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REVISITING URBAN GOTHIC- SUM OF THE PARTS,  DEPTFORD VOODOO BY JOHN MCNEE

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