HORROR MOVIE REVIEW: BARBARIAN

Not every moment works. Certain choices feel ridiculous and breaks of levity keep the film from being as disturbing as maybe it should be, given the content. But most of that is forgivable, mainly because of the surprises Cregger has for us, and the nimble way he brings them out of hiding.

Barbarian
A young woman discovers the rental home she booked is already occupied by a stranger. Against her better judgment, she decides to spend the night but soon discovers there's a lot more to fear than just an unexpected house guest.

​Release date: 28 October 2022 
Director: Zach Cregger
Producers: J.D. Lifshitz, Raphael Margules, Roy Lee, Arnon Milchan
Distributed by: 20th Century Studios

A Horror Movie Review by Hope Madden and George Wolf

When you see as many movies as we do – especially horror flicks – taking us places we did not see coming is much appreciated.

Barbarian certainly does that, mashing horror, dark comedy and social commentary to wild and mostly satisfying ends.

Tess (TV vet Georgina Campbell) is in Detroit for a job interview. She books an Airbnb in an unsavory part of town, only to find out Kieth (Bill Skarsgård) booked the same place on HomeAway. What to do?

They talk, flirt a little, and Tess agrees to stay in the bedroom while Keith takes the couch. They’ll sort it out in the morning.

In his feature debut, writer/director Zach Cregger (The Whitest Kids You Know) lulls us with a competent but familiar hook. What’s really going on? Can Keith be trusted? Creeger throws in some creepy camera angles, terrific lighting maneuvers and jump scare fake-outs to build tension.

Then Tess makes her way down to the basement. Yikes.

But even after Tess’s startling discoveries, we’re still feeling like we have a grip on what’s ahead.

And then Cregger takes us to Hollywood, where producer AJ Gilbride (Justin Long) is sacked from his latest project due to allegations of sexual misconduct.
Um…what?

AJ’s story suddenly crosses paths with a tale set in the same house in 1982, this one starring Richard Brake. While that’s often great news for viewers, it is rarely good news for other characters.

What could start to feel disjointed and episodic instead congeals into a bizarre and brutal minefield of surprises. There are times when these surprises hang together with unrealistic decision-making, but Cregger’s sly script overcomes most of its conveniences and missteps.

Not every moment works. Certain choices feel ridiculous and breaks of levity keep the film from being as disturbing as maybe it should be, given the content. But most of that is forgivable, mainly because of the surprises Cregger has for us, and the nimble way he brings them out of hiding.

HOPE MADDEN 

Hope Madden is a writer and award-winning filmmaker living with her husband George and cat Velma in Columbus, Ohio. She writes what scares her, which worked out fine until she became a filmmaker and had to live what scared her for the duration of a shoot. Terrible decision. Her novella, Roost, was published in 2022 by Off Limits Press and her first feature film releases in late 2022.

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Check out Hope's Podcast here : https://soundcloud.com/frightclub

And for more film reviews from Hope check out 

Maddwolf 
https://maddwolf.com/

GEORGE  WOLF

George “Screen” Wolf is co-founder and writer for maddwolf.com. He’s also  film critic for Saga Communications radio (25 markets across the US), Columbus Underground and UK Film Review.

In Columbus, Ohio, you can catch George on TV every Friday morning on ABC6/Fox28’s Good Day Columbus.

George is a member of the Columbus Film Critics Association, and lives in Grandview Heights with his wife, Hope Madden. Their son Donovan lives in L.A. George enjoys music, politics, his Harley, sports, travelling, and, oh yeah, movies!
Contact George at maddwolf95@gmail.com.

Follow George on Facebook and Instagram @maddwolfcolumbus and on Twitter @maddwolf

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