Could you tell the readers a little bit about yourself? I’m a fiction writer based in Manchester in the UK and grew up reading from a young age, which laid the groundwork for wanting to become a writer in as many different avenues as possible. When not writing horror and fantasy fiction, I enjoy indulging my inner pop culture geek with comics and other interests, which include Japanese culture, Stoicism and rum. I’ve mashed all these interests together in a portfolio of websites, which include The Comic Vault, Yamato Magazine and The Rum Ration. Which one of your characters would you least like to meet in real life? Good question. I’m going to say it’d be Agnus Cartwright, a powerful witch from The Tales Of The Frontier series. She’s terrifying and her ruthlessness would make me think twice about crossing her! Other than the horror genre, what else has been a major influence on your writing? The fantasy genre has had a big influence on my writing style and reading habits, particularly authors such as Sebastien De Castell, Andrzej Sapokowski and Neil Gaiman. I’ve always been in awe of writers who have the ability to create a completely new world from nothing and make you believe in the mechanics, concepts and characters within the world. Comics are another major influence, in the sense that having larger than life characters can be grounded in a realistic setting such as the DC Universe and that there are shades of grey when it comes to anti-heroes like Red Hood, Punisher etc. A recent concept that’s also resonated with my writing style is the philosophy of Stoicism and how it can be applied to the practice of writing. It’s about understanding the things you can control e.g. how much you want to write per day, and the things you can’t e.g. how people are going to react to your work. The term horror, especially when applied to fiction always carries such heavy connotations. What’s your feeling on the term “horror” and what do you think we can do to break past these assumptions? For me, the greatest kind of horror is found in human action. The lengths someone will go to for carrying out a goal. The justifications we tell ourselves when we think we’re doing something ‘good’ that can be seen as ‘bad’ from someone else’s perspective. Everyone has the capacity to be a monster and it brings to mind that famous Nietzsche quote of “beware that when fighting monsters, you yourself do not become a monster.” It’s in these kinds of everyday, human drama kind of stories that I think there’s still plenty of room to break past what it seen as traditional horror. A lot of good horror movements have arisen as a direct result of the socio/political climate, considering the current state of the world where do you see horror going in the next few years? I think there will be an increase of horror being seen through the lens of more diverse groups such as the LGBT and BAME communities. There’s limitless potential in redefining tropes within these two categories and showcasing stories that are special, spooky and resonant. Given the dark, violent and at times grotesque nature of the horror genre why do you think so many people enjoy reading it? Coming from my own perspective, I enjoy watching and reading horror stories out of a subconscious desire for facing the unknown. The fear of the unknown is actually my biggest fear and if you think about anything outside of your comfort zone too much it can paralyse you worse than any monster, ghost or serial killer. I think that being exposed to horror has the potential to build up your resilience to real-life scenarios. What new and upcoming authors do you think we should take notice off? A couple of authors come to mind. V Castro has been doing some amazing work with redefining Latin horror through stories like Queen Of The Cicadas and Goddess Of Filth. There’s also Eric LaRocca and Things Have Gotten Worse Since We Last Spoke is a tremendous piece of transgressive horror. While Donald Robertson isn’t a new author, he’s new to the horror and comic genres and I’m looking forward to seeing the release of the graphic novel Verissimus, which tells the life of the Roman emperor Marcus Aurelius. What aspects of writing to do you find the most difficult? The editing process is the most difficult by far. There’s the old writer cliché of having to kill your darlings and it’s true that they do feel like your darlings sometimes! But once you move past that initial feeling, you do come away with a much stronger manuscript. Is there one subject you would never write about as an author? I’ve always said to myself that I’ll never write about any subject that I can’t capture realistically on the page, make it believable or do it justice. It’s only after I’m well-informed enough to know what I’m talking about that I’d even attempt to start writing something. Writing, is not a static process, how have you developed as a writer over the years? By constantly writing. That’s the most effective way I’ve continued to develop. Short stories. Articles. Blogs. Poems. Scripts. Exposing myself to different mediums has forced me to think about writing differently and become more fluid in how I approach things. What is the best piece of advice you ever received with regards to your writing? Don’t worry about whether the first draft is good or bad. Just finish it and then start editing. Which of your characters is your favourite? My favourite character is Clay McNab, the protagonist of At The Dead Of Dusk. He’s an asshole who doesn’t pretend to be anything but what he is and there’s a refreshing amount of honesty when inhabiting the headspace of a character like that. Yet there’s a lot more beneath the surface and it’s so much fun to write an anti-heroic character who’s self-aware enough to see his own flaws and try to do what he thinks to be right from his own perspective. Which of your books best represents you? At The Dead Of Dusk is my first standalone novella, so I’d say that represents me the best (So far!) Do you have a favorite line or passage from your work, and would you like to share it with us? There’s quite a few lines from At The Dead Of Dusk that I loved writing. While I’m not going to give away any spoilers, I will say there’s a scene with Clay delivering a monologue kind of speech in a highly charged emotional situation that got me right in the feels when I was writing it. Can you tell us about your last book, and can you tell us about what you are working on next? The next story I’m working on is a cyberpunk novel set in a futuristic version of my home city of Manchester. It’s about two brothers who come together to try and unlock the riddles of their father’s death and has a mixture of noir, crime, and sci-fi themes. If you could erase one horror cliché what would be your choice? That jump scares are the only way to tell a good horror movie. What was the last great book you read, and what was the last book that disappointed you? The last great book that resonated with me was How To Think Like A Roman Emperor by Donald Robertson. In terms of disappointing books, nothing comes to mind as I think there’s something good to be taken away from whatever you read if you’re in the mindset to look for it. At the Dead of Dusk |
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